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Rules of Musical Interpretation in The Baroque Era

AL25732

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Leduc

Composer: Veilhan - Jean-Claude

Instrumentation: Book

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*Musical Interpretation of 17th-18th Centuries - common to all instruments*.

This book is a wonderful resource for those wishing to learn more about interpreting music from the Baroque period, according to composers such as Bach, Couperin, Hotteterre, Monteclair, Quantz, Rameau and many more. Illustrated with music from the time and musical excerpts to provide examples of phrasing and ornamentation. 

Chapters:

1. Metrical signs and their characteristics

2. Phrasing (Articulation, slurs, detached notes, double dotting, rubato)

3. Embellishments (Grace notes, Ornaments- French, German and Italien, the Cadenza)

4. Adagio and Allegro 

5. Character and tempo of various movements (airs and dances)

Translated by John Lambert

Original language: French

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