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Sarah Jeffery is a prominent figure in the recorder world, known for her passion for both early and contemporary music. She has commissioned and premiered numerous contemporary works and has performed globally at prestigious festivals and stages. Notable accolades include being appointed ‘Recorder Professor Specializing in Contemporary Music’ at the Royal College of Music in London and receiving the Best of Classical Music 2020 award. Sarah is also recognized for her educational efforts, including online tutorials on her YouTube channel, Team Recorder, with over 170,000 subscribers. She is based in Amsterdam and holds degrees from the Conservatorium van Amsterdam and Birmingham Conservatoire, under the guidance of esteemed pedagogues.
Chris Orton is active as a recorder player, Dalcroze Eurhythmics teacher, and conductor. He studied recorder, viola, and composition at the Royal Birmingham Conservatoire where his recorder teachers were Ross Winters and Annabel Knight, and then took further lessons with Anneke Boeke in Amsterdam. He studied orchestral conducting with Jordi Mora at the Escola Superior de Musica de Catalunya (ESMUC) in Barcelona, and most recently Chris gained his certificate qualification in 2017 as a Dalcroze Eurhythmics teacher studying principally with Bethan Habron-James in Manchester. He has twenty years experience of teaching and performing all over the world, working with very young children through to doctoral students and retirees. Whether it is through conducting symphony orchestras, playing the recorder or presenting, Chris loves being on stage and sharing his passion for music with others.
Kamala Bain is a recorder performance graduate of the Conservatorium van Amsterdam, where she studied with Walter van Hauwe and Paul Leenhouts. Now based in Wellington, her work as a performer takes her back to Europe and Australia, with highlights including performances with Pinchgut Opera in Sydney, the Irish Chamber Orchestra, and the Akademie für Alte Musik Bruneck in Italy. New Zealand performance highlights include Stroma’s Mirror of Time series, a Chamber Music NZ tour with Barocca, and performances with NZ Barok, the New Zealand Symphony Orchestra, and the recently formed Night Watch ensemble. Kamala teaches privately, makes regular appearances as a tutor at workshops in Australia and NZ, has taught in Ireland and Canada, and is an artist teacher at the NZ School of Music.
Melbourne-based recorder player Hannah Coleman is a dedicated music educator, and passionate performing musician. She has performed with leading ensembles including the Australian Chamber Orchestra, Melbourne Symphony Orchestra, Melbourne Chamber Orchestra, Ludovico’s Band, Genesis Baroque, Plexus, Opera Victoria and Bach Akademie Australia. As a chamber musician, she performs with recorder ensemble The Recorder Co-op. She recorded Nigel Westlake’s soundtrack for the film Paper Planes, with the Melbourne Symphony Orchestra, released on ABC Classics and has broadcast for ABC Classic FM, 3MBS, and Radio 4 NL. Hannah teaches recorder to students of a variety of ages locally and online, tutors regularly at recorder workshops across Australia and teaches classroom music at a school in Melbourne's west.
Alicia Crossley is an ARIA nomimated Australian recorder virtuoso. She performs a wide variety of repertoire from renaissance dance tunes to contemporary electro-acoustic works with a particular interest in bass recorder repertoire.
In 2010 Alicia completed her Masters of Music (Performance) at the Sydney Conservatorium of Music under the instruction of Hans-Dieter Michatz. Since then Alicia has won several competitions and awards including the Don Cowell Memorial Trust Recorder Competition, the Australia Council’s ArtStart Grant, and the Fine Music 102.5 Kruger Scholarship. In 2011, Alicia released her debut solo CD Addicted to Bass featuring seven newly commissioned Australian works for bass recorder, followed by her second solo CD Alchemy in 2015, which was nominated for Best Classical Music Album by AIR. In 2018 Alicia released her third CD Muse with the acclaimed Acacia Quartet, which was nominated for Best Classical Album by ARIA. Recently, Alicia released her fourth CD Bass Instincts, featuring compositions that showcase the instinctual musicality, versatility and virtuosity of the bass recorder.
An experienced recorder player, Alicia regularly performs throughout Australia and has toured in the USA and New Zealand. She has presented works at a number of festivals and conferences includingSydney Festival, Adelaide Festival, Four Winds Festival, Tilde New Music Festival, Electro-Fringe, Metropolis, Aurora Festival, Vivid Festival, ACMC, Electronic Music Midwest, and SEAMUS, and has performed with Pinchgut Opera, Adelaide Symphony Orchestra, Bach Akademie Australia, Salut! Baroque, The Sydney Consort, and The Marais Project. Alicia is also a member of the unique and vibrant ensemble Duo Blockstix.
As passionate supporter of Australian Art Music, Alicia has collaborated with some of Australia’s composers to create new works that showcase the versatility of the recorder, and has presented the world premiere of more than 30 new works for recorder. Alicia also appears as a featured soloist on the soundtrack for the 2018 movie Stormboy, and features in Series 2, episode 13 of ABC’s ArtWorks.
Dr Robert Manley is a multi-instrumentalist, music teacher and academic. Rob has performed as recorder soloist with the Queensland Symphony Orchestra and festival appearances include the New England Bach Festival (2023), Huon Valley Chamber Music Festival (2022), BrisAsia Festival (2021) and Hobart Baroque Festival (2013). Rob currently works at the New England Conservatorium of Music as a piano teacher and resident accompanist. Robert is also a professional cellist who has worked with the Queensland Symphony Orchestra, Tasmanian Symphony Orchestra, Melbourne Chamber Orchestra, and Auckland Philharmonia Orchestra. Rob’s work as a researcher and composer focusses on engaging audiences with classical music in regional Australia.
Robyn Mellor is a Canberra based recorder player, community based music director and teacher, and choir leader. She studied recorder performance and music education in Perth, WA and undertook intensive recorder study for 3 years in the Netherlands. Robyn has performed with many of Australia’s leading recorder players and early music specialists over the past 30 years in Australia and New Zealand.
Robyn presents diverse concerts of early and modern music in Canberra as director of women’s vocal ensemble Polifemy and the leader of recorder groups Walking the Dog and Block Sounds. She is much in demand as a private and community music teacher, and for recorder workshops throughout Australia. Robyn has been a regular tutor at Orpheus festivals and workshops over many years.
Daniel Murphy is a Sydney-based primary school teacher and musician. He works with the NSW arts unit delivering high quality recorder programs as part of the Festival of Instrumental Music. Daniel tutors and conducts the NSW Public Schools Recorder Consort that performs regularly at the Sydney Opera House and has taken the group on international tours. During lockdown Daniel studied and became an accredited Suzuki recorder teacher, expanding his methodology and pedagogy to enhance his teaching. In his spare time Daniel enjoys arranging music for recorder ensembles and playing music in chambers ensembles, orchestras and stage bands.
Described as a “virtuoso, scholar, [and] presenter … of rare charm and lucidity”, recorder player Brendan O’Donnell performs regularly with Adelaide Baroque and Adelaide Cantata Band, alongside frequent solo outings, including his innovative program “Bird/Song” at the 2023 Adelaide Fringe Festival. For several years he performed with Munich-based Ensemble Raccanto and was a founding member of the contemporary and early music ensemble Cembaless (Germany/Austria).
He is an experienced teacher: for 8 years, Brendan taught at various music schools in Bavaria alongside private teaching and ensemble coaching. In 2019 he tutored at the recorder course Musiktage am Chiemsee (Germany), and since 2022 has been a regular tutor at the Orpheus recorder courses. He gives workshops for the Society of Recorder Players SA and provides coaching for students and ensembles of all levels in Adelaide. Brendan also plays and teaches clarinet, saxophone and piano
Kimberley Scriven is a performer and teacher of the recorder based at the Riverina Conservatorium of Music (RCM), Wagga Wagga. She is the founder of the PopBaroque Ensemble, Trio Espressivo and Wicklow Irish Ensemble and performs throughout the Riverina and NSW Highlands. Through the RCM Kimberley teaches her studio of recorder students and champions the recorder in NSW regional and rural primary schools with the recorder music program she developed. She aims to inspire audiences and teach the next generation of recorder players. Kimberley completed her Music Performance degree on the recorder at Sydney Conservatorium of Music (Honours) in 2017 and achieved her Masters of Music Education (Secondary) in 2022 (CQU).
Benjamin Thorn is a composer and recorder (and ocarina) player based in Armidale, NSW, Australia. He has written music for a wide range of instrumental and vocal forces but has gained international acclaim for his music for recorders. His music has been published in Europe, Canada, and the USA as well as in Australia, and is performed around the world, including in the 2012 World Music Days in Belgium. He lectures in creative arts education at the University of New England and is the music editor of Orpheus Music.
Ruth Wilkinson has had a full and fascinating career through her life as a recorder player and viola da gambist. Her performances range from medieval music, the baroque to the 21st century. With the ensembles La Romanesca and Capella Corelli she was part of a pioneering revival of early music in Australia that led to a busy life which included touring widely for Musica Viva both in Australia, Europe and Asia. These ensembles introduced new sounds and music long forgotten to eager audiences who were ready to embrace the new movement which was challenging old ideas of performance of early music.
More recently Ruth has been a member of Ludovico’s Band, Elysium Ensemble, Genesis baroque, and The Recorder Co-op with her colleagues Hannah Coleman, Alex Bailliet-Joly and Ryan Williams,. Ruth has another life as a viola da gambist, and preforms with the viol consort, Consortium. With all these collaborations Ruth is continually inspired and enjoys a rich concert life. She has been a frequent tutor at the Orpheus summer workshops and in many workshops around the country from Western Australia to North Queensland.
Ruth is known for her skills as a teacher and is equally comfortable guiding students from kindergarten to tertiary level to keen mature age students wanting to improve their skills. At The University of Melbourne Ruth has directed many Early Music ensembles and is currently co-director of the Medieval and Renaissance Ensemble and teacher of the recorder. Many students have benefitted from her teaching and have gone on to professional careers as recorder players.
Ruth has a diverse list of recordings from Medieval music to the present day. Most recently she has collaborated with composer and sound artist Ros Bandt in their latest recording Bird Song.. and with Cynthia O’Brien, baroque violin in their recording Concert à deux in the splendid acoustic of the Church of Santa Maria Nuova in Cortona Italy. Her solo recorder recordings feature sonatas of Handel and Dieupart. Ruth was inspired to take this career path because of her rich experience as a student at the Schola Cantorum Basiliensis where she studied the recorder with Hans-Martin Linde and viola da gamba with Jordi Savall. When not performing or teaching Ruth can be found practising the recorder, wrestling with the intricacies and challenges of music from the ars subtillier or nutting out a complicated knitting pattern.