For those who have trouble with finger stretches when playing the tenor:

Many players find it difficult to reach all the holes when playing tenor, especially for the smallest 2 fingers of the right hand. There is quite a bit of variation in finger hole position from one maker to another, and from one model to another. The chart below was prepared to try and show which ones will be easier. There are several factors involved: the distance between the holes is important, but another significant factor is whether the recorder is straight or has a bent head ("knick"). Knick tenors allow the right hand to hold the recorder in a higher position than with a straight instrument - the right hand is not stretching down so far and consequently a spacing that may actually be a little wider will still feel easier to reach on a knick instrument. Players that have problems with their right-hand wrist should strongly consider knick instruments.

Often a player will have specific issues with one or two fingers. If this is the case, then you may need to focus more on comparing the measurements for the holes played by the problem fingers. In such cases the general ranking provided here might not be so relevant for your special circumstances.

In this chart the weights shown are a guide only - weight can vary within a particular model depending on which wood has been used.

A large range of tenor recorders made in a beautiful range of woods including pear, plum, satinwood, olive, rose, palisander, grenadilla, boxwood and cherrywood. Orpheus Music stocks tenor recorders from a variety of makers including Mollenhauer Recorders from Germany, Kung Recorders from Switzerland and Aulos, Yamaha and Zen-on Recorders from Japan. The tenor is a great ensemble instrument as well as a favoured recorder for contemporary compositions.