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Many players find it difficult to reach all the holes when playing tenor, especially for the smallest 2 fingers of the right hand. The tenor is by no means the largest recorder, but still it can involve finger stretches greater than on any of the larger bass instruments. Our experience over 25 y...
Many players find it difficult to reach all the holes when playing tenor, especially for the smallest 2 fingers of the right hand. The tenor is by no means the largest recorder, but still it can involve finger stretches greater than on any of the larger bass instruments. Our experience over 25 years has shown that when a player encounters finger spacing problems, ninety nine times out of a hundred it will be on a tenor. These problems often result in either having to stop playing the tenor altogether, or having to upgrade to a knick or a comfort model - please choose carefully!!!
There is quite a bit of variation in finger hole position from one maker to another, and from one model to another. The chart below was prepared to try and show which ones will be easier. There are several factors involved: the distance between the holes is important, but another significant factor is whether the recorder is straight or has a bent head ("knick"). Knick tenors allow the right hand to hold the recorder in a higher position than with a straight instrument - the right hand is not stretching down so far and consequently a spacing that may actually be a little wider will still feel easier to reach on a knick instrument. Players that have problems with their right-hand wrist should strongly consider knick instruments.
The chart shows clearly that the use of split keys for C and C# doesn't automatically mean the right-hand little finger doesn't have to stretch so far. Many players assume that if they choose a model with C/C# keys they will have no problems, when in fact many of the most extreme little-finger stretches are actually on keyed instruments.
Often a player will have specific issues with one or two fingers. If this is the case, then you may need to focus more on comparing the measurements for the holes played by the problem fingers. In such cases the general ranking provided here might not be so relevant for your special circumstances.
In this chart the weights shown are a guide only - weight can vary within a particular model depending on which wood has been used.
A large range of tenor recorders made in a beautiful range of woods including pear, plum, satinwood, olive, rose, palisander, grenadilla, boxwood and cherrywood. Orpheus Music stocks tenor recorders from a variety of makers including Mollenhauer Recorders from Germany, Kung Recorders from Switzerland and Aulos, Yamaha and Zen-on Recorders from Japan. The tenor is a great ensemble instrument as well as a favoured recorder for contemporary compositions.
Reference: MOL-5416
Brand: Mollenhauer
Reference: MOL-5420
Brand: Mollenhauer
Reference: MOL-5422
Brand: Mollenhauer
Reference: MOL-5430
Brand: Mollenhauer
Reference: MOL-5432
Brand: Mollenhauer
Reference: ZT-7M
The Pastoral hand-made recorders are specially developed for professional and advanced players.
Reference: YRT304B
Brand: Yamaha
This new model tenor incorporates
Yamaha's wooden design expertise with
the convenience and durability of an ABS
material. It offers a focused, mellow
sound which is balanced in all registers.
Reference: MOL-5431KC
Brand: Mollenhauer
Mollenhauer bring the beauty and elegance of their Denner range to the needs of Tenor players with this bent-neck Comfort Tenor. European cherrywood is the lightest Recorder Wood and gives an amazing depth of resonance.
Reference: MOL-5430C
Brand: Mollenhauer
Reference: K1501
Brand: Kung
Reference: K1593
Brand: Kung
Made from selected Cherrywood
Baroque fingering, double keys C/C#, extra keys G and F
Bent ("knick") headjoint for extra access and comfort
Kung's signature rich and warm sound, perfect for ensemble work
Reference: MOL-5416C
Brand: Mollenhauer