Subcategories

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  Tutor: RUTH WILKINSON

  We will not necessarily play all the notes of all the set pieces. We will use parts of these works to identify and practice various techniques as required by the class. We do not expect you to have mastered all the notes by the course.

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  Tutors: ANNA STEGMANn
  

  Session 1: Technique class - We will not necessarily play all the notes of all the set pieces. We will use parts of these works to identify and practice various techniques as required by the class. We do not expect you to have mastered all the notes by the course.
  

  Notes from Anna:

  Studies

  - Please prepare the pieces with modulations up until 4# and flats. If you go further: that’s a bonus! :)

  - you don’t need to practice no. 11 and 12 and the second voices.

  - start practicing all studies very slowly and set a metronome speed at a tempo you feel you can manage without too much stopping. Pick one tonality at a time and start speeding it up with the metronome going in steps of five; e.g. start at 60/ crotchet and if you can manage it at that speed, advance to 65/ crotchet. Your final speed is not as important as the speed “journey” you undergo.

  Canonical: Please learn F Major Canonical Sonata.

  If you want to learn from the other edition please note: ED Schott version its no.2, in Amadeus its no. 3

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  Tutors: DANIEL MURPHY
  

  Session 1: Technique class - We will not necessarily play all the notes of all the set pieces. We will use parts of these works to identify and practise various techniques as required by the class. We do not expect you to have mastered all the notes by the course.

  In the Suzuki book please focus on:

  No. 4 What Shall We Do This Evening (van Eyck) 

  No. 1 Menuet II (Telemann) 

  No. 6 Suite No.3  - Movement 5 Menuet - Le Mignon (Hotteterre)

  Optional 

  No. 3 Giga (Corelli)

  Note - For Orpheus Music Publications (OMPs) you can either purchase the hardcopy (sent to you via the post) OR download the PDF version (with a discount but you print at home).
  

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  Tutors: JOANNE ARNOTT
  

  Session 1: Technique class - We will not necessarily play all the notes of all the set pieces. We will use parts of these works to identify and practice various techniques as required by the class. We do not expect you to have mastered all the notes by the course.

  Note - For Orpheus Music Publications (OMPs) you can either purchase the hardcopy (sent to you via the post) OR download the PDF version (with a discount but you print at home).

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  Tutors: ROBYN MELLOR
  

  Session 1: Technique class - We will not necessarily play all the notes of all the set pieces. We will use parts of these works to identify and practice various techniques as required by the class. We do not expect you to have mastered all the notes by the course.

  Please note: The Giesbert collection can also be found in this bind up collection:

  https://orpheusmusic.com.au/treble/1032-the-baroque-solo-book-9781789267600.html

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  Tutors: KAMALA BAIN
  

  Session 1: Technique class - We will not necessarily play all the notes of all the set pieces. We will use parts of these works to identify and practice various techniques as required by the class. We do not expect you to have mastered all the notes by the course.

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  Tutors: HANNAH COLEMAN
  

  Session 1: Technique class - We will not necessarily play all the notes of all the set pieces. We will use parts of these works to identify and practise various techniques as required by the class. We do not expect you to have mastered all the notes by the course.

  COGAN

  Please learn two parts of this piece (on two different recorders). Don't worry too much about the ornaments for now - please focus on learning the notes and maintaining a steady pulse while playing.

  HANDEL

  Please learn the last sonata in this edition, Nr 3 in D minor. If you are able, please also learn the bass part - playing it on a treble is fine.  

  Note - For Orpheus Music Publications (OMPs) you can either purchase the hardcopy (sent to you via the post) OR download the PDF version (with a discount but you print at home).
   

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  Tutors: ALANA BLACKBURN
  

  Session 1: Technique class - We will not necessarily play all the notes of all the set pieces. We will use parts of these works to identify and practice various techniques as required by the class. We do not expect you to have mastered all the notes by the course.

  Dances and Divisions:
  

  Chestnut dance setting p.1 and divisions A minor p.2 The Hempdresser dance setting p. 17; divisions p. 20 Parson’s Farewell Dance setting p. 43 and divisions p. 44 We may look at others if we have time.

  Canzon:

  Learn both parts, if you play bass feel free to learn the basso continuo line as well.

  Partita:

  Prepare all 6 Arias. If possible, prepare on tenor, alto may be used leaving out notes below F, descant may be used.

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  Tutors: SARAH JEFFERY
  

  Session 1: Technique class - We will not necessarily play all the notes of all the set pieces. We will use parts of these works to identify and practise various techniques as required by the class. We do not expect you to have mastered all the notes by the course.

  Shickhart:

  Please prepare the D minor concerto. 

  Dorwarth:

  Please prepare two movements of your choice. We will study all four, and their techniques, during the week!
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  Tutors: BRENDAN O'DONNELL
  

  Session 1: Technique class -  We will not necessarily play all the notes of all the set pieces. We will use parts of these works to identify and practice various techniques as required by the class. We do not expect you to have mastered all the notes by the course.

  25 Capricen in 12 Keys from 18th Century

   Capricio 1 (p.2-3): Focus on slow and clean slurs with good breath support. Don’t worry about dynamics; we will discuss these together.

  Presto 19 (p.20-21): Work this up to the fastest tempo you feel comfortable with, single-tonguing – breathing where necessary! We will use this as a basis to work on double-tonguing

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  Tutors: ALICIA CROSSLEY
  

  Session 1: Technique class - We will not necessarily play all the notes of all the set pieces. We will use parts of these works to identify and practice various techniques as required by the class. We do not expect you to have mastered all the notes by the course.

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  Chamber Ensemble F / Large Ensemble F

  Tutor: CHRIS ORTON

  NOTE: Music will be provided on the day for Chamber Ensemble.