Subcategories

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  Tutor: JOANNE ARNOTT
  

  Small ens: Kununurra	Ryohei Hirose	Idyll 1	ZEN-ON R144		CW and AM: Part 1 (D,Tr) KS and AC: Part 2 (Tr) LH and EB: Part 3 (Tr,T) AC and SS: Part 4 (B)
  Small ens: Kununurra	Nicholas Ng	Bathing the Buddah	OMP150	(Those with contrabass parts – learn on bass)	LH: Part 1 (D) AC: Part 2 (D,Tr) AM and SS: Part 3 (D,T) AC and KS: Part 4 (D,B) CW and EB: Part 5 (B,CB)

  Note - For Orpheus Music Publications (OMPs) you can either purchase the hardcopy (sent to you via the post) OR download the PDF version (with a discount but you print at home). 

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  Tutor: RUTH WILKINSON

  La Notte, Vivaldi

  Solo Alto: SB

  A2/T1,KL

  T2/B, S JH

  B1, ET

  B2, KK, MP

  Kontrabass in F, KD and JL

  If you wish to study the solo Alto Part in addition to your allocated part please have a go. There are many combinations we can try during theweekThe Domesctication of the animal world: Thomas CampionParts to be allocated when I receive the music.

  The Domesctication of the animal world: Thomas Campion - part allocation coming soon.

  Note - For Orpheus Music Publications (OMPs) you can either purchase the hardcopy (sent to you via the post) or download the PDF version (with a discount but you print at home).

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  Tutor: ALANA BLACKBURN
  

  Dances from Terpischore Vol III -  Prepare: 8 – SA8veTB 10 – SA8veTB 14 – SA8veTB 18 – A8veATB 27 – SA8veTB 31 - SA8veTB

  Browning Fantasy - Prepare all

  Three Traditional Irish Tunes -Prepare all three tunes

  Allocation of Parts:

  Uralla
  Praetorius	S	A (read up 8ve)	T	B
  8, 10, 14	MS & AD	BL & FdP	NP & JH	AS & UG
  18, 27, 31	BL & UG	MS & AD	AS & FdP	JH & NP
  Browning	S	A (read up 8ve)	T	T	B
  	BL	MS & AD	NP & UG	FdP & JH	AS
  Irish	S	S	A	T	B
  1	AD	MS	BL & NP	AS & UG	FdP & JH
  2	MS	JH	AD & AS	BL & FdP	NP & UG
  3	UG	AS	AD & MS	BL & NP	FdP & JH

  Note - For Orpheus Music Publications (OMPs) you can either purchase the hardcopy (sent to you via the post) or download the PDF version (with a discount but you print at home).

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  Tutor: BRENDAN ODONNELL

  Note - For Orpheus Music Publications (OMPs) you can either purchase the hardcopy (sent to you via the post) OR download the PDF version (with a discount but you print at home). 

  Aan de Amsterdamse Grachten – Schott arr. Leenhouts

  S: CB, NH

  A: JW, DH

  T: BL, MY

  B: RT

  I would encourage you to practice this slowly, thinking in quavers before increasing the tempo. Pay attention to the small details, such as the difference between a short trill and a regular trill as mentioned in the explanatory notes. On the subject of trills, remember that in contemporary music, the trill generally starts on the note, not from above! Also look out for the difference in notation of finger vibrato and “leaked” notes (the latter will also say “leak” in the part, but the symbol is very similar). A number of recordings are available on YouTube if you search the name of the piece and add “Leenhouts” to your search.

  Waking Forest – Benjamin Thorn

  T1: RT, MY

  T2: BL

  T3: JW

  T4: NH

  T5: CB, DH

  At the beginning of the piece, think “mysterious” more than “quiet”, to keep the sound well-supported. Slow metronome practice will be your friend in the “slightly faster” section at bar 25! For those on the top line, it will be impressive if you can play two descants at once – and you should try it! – but don’t stress; we can always split the part if necessary. If it isn’t clear, the “play and sing” parts should be the same note sung and played, but switch octave if it doesn’t fit your voice.

  Animal Dance – Benjamin Thorn

  D: MY

  T: NH

  B: CB, JW

  GB: DH

  CB: RT, BL

  This is all about rhythm! We want short, crisp staccatos, strongly articulated accents, and a real sense of skipping over dotted rhythms. Those on the third part (bass), look out for the instrument changes!
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  Tutor: BEN THORN

  Note - For Orpheus Music Publications (OMPs) you can either purchase the hardcopy (sent to you via the post) OR download the PDF version (with a discount but you print at home). 

  Part Allocations:

  Musiques de table mvt 1

  Tr1        DH AL

  Tr2        SK CW

  T1          GR VW

  T2          JM

  B            LH, JM

   Musiques de table mvt 2

  Tr1        LH, CW

  Tr2        DH VW

  T1          SK, CW

  T2          AL

  B            GR, JM

  Musiques de table mvt 3

  Tr1        JM EH

  Tr2        GR VW

  T1          DH

  T2          LH CW

  B            SK, AL

  Dubourg Jig

  Tr           EH, DH, JM

  T            AL, LH VW

  B            CW, SK, AL

  Dubourg Minuet

  Tr           AL, SK, AL

  T            CW, DH,VW

  B            EH, LH JM

  Dubourg Maggot

  Tr           CW, DH, AL

  T            EH, LH, VW

  B            AL, SK, JM

  
  
  

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  Tutor: KAMALA BAIN
  

  Dowland

  This is a starting point. I’m happy if you want to swap parts with someone. We may not play all of these.

  Susanna pavan

  Soprano - RW

  Alto - JD

  Tenor 1 – LH, JG

  Tenor 2 – MC, PR

  Bass – IS, SK

  Mr John Langton’s pavan

  Soprano - JG

  Alto - IS

  Tenor 1 – SK, RW

  Tenor 2 – MC, JD

  Bass – PR, LH

  Sir John Souch’s Galliard and Mr Bucton’s Galliard

  Soprano - LH

  Alto - JG

  Tenor 1 – PR, IS

  Tenor 2 – SK, RW

  Bass – MC, JD

  Irish Suite – Philip Thorby

  This is a starting point. I’m happy if you want to swap parts with someone. I’m starting with only one soprano but we may need to double it.

  Soprano - SK

  Alto – PR, MC

  Tenor – JD, IS

  Bass – JG, RW, LH (possibly doubling on contrabass)

  Email me if you have any questions: kamala.bain@gmail.com

  Note - For Orpheus Music Publications (OMPs) you can either purchase the hardcopy (sent to you via the post) OR download the PDF version (with a discount but you print at home). 

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  Tutor: Daniel Murphy
  

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  Tutor: ANNA STEGMANN

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  Tutor: Alicia Crossley & Kimberley Scrivan
  

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  NOTE: Music will be provided on the day for Chamber Ensemble.

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  NOTE: Music will be provided on the day for Chamber Ensemble.

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  NOTE: Music will be provided on the day for Chamber Ensemble.