Subcategories

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  Note: Music will be provided on the day.

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  NOTE: Music will be provided on the day.

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  Tutor: RUTH WILKINSON
  

  A Clutch of Fipples

  D1, NM

  D2, AMil

  Tr1 BK

  Tr 2 AMur

  Tr 3, NH

  T1, HP

  T2, JackieD

  B, JeanetteD

  Antonio Carreira Cançao

  Line 1 Sop NM, descant, NH, Tenor

  Line 2 AM Alto, BK Bass

  Line 2 HP Tenor, JackieD Great Bass

  Line 4 JeanetteD, bass, A Mil

  Fantasia 1

  1Line 1 JackieD, descant, HP descant

  Line 2 BK Alto, AMil Alto

  Line 3 AMur, Tenor, JeanetteD, tenor

  Line 4 NM Bass NH bass

  Ave Maria

  Line 1 AMur Descant, JeanetteD descant

  Line 2 NM Alto, HP Alto

  Line 3 JackieD tenor, NH tenor

  Line 4 AMil bass, BK bass

  Note - For Orpheus Music Publications (OMPs) you can either purchase the hardcopy (sent to you via the post) OR download the PDF version (with a discount but you print at home). 

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  Tutor: ROB MANLEY

  Note - For Orpheus Music Publications (OMPs) you can either purchase the hardcopy (sent to you via the post) OR download the PDF version (with a discount but you print at home). 

  Allocated parts below:

  Rogers Two-Tone Rag

  S: DF

  A1: LM

  A2: HJ

  T1: IM

  T2: CM

  B1:BW

  B2: KT

  GB: TG

  Handel Concerto Op. 3 no. 1
  

  S1: TG (transfer to A1 for mvt 2 only)

  S2: KT (transfer to A2 for mvt 2 only)

  A1: IM (transfer to A3 for mvt 2 only)

  A2: BW (transfer to A4 for mvt 2 only)

  T1: DF

  T2: LM, HJ

  B: CM, RM

  Kapsberger 2 Sinfonie a 4

  S1 (marked Canto Primo): CM, BW

  S2 (marked Canto Secondo): LM, HJ

  A or T (marked Tenore): KT, TG

  B (marked Basso): IM, DF

  Basso continuo: RM
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  Tutor: ROBYN MELLOR Session 3 – Small Ensemble – Queanbeyan

  Greetings Group Queanbeyan. I am looking forward to working with you all during the Small Ensemble Class. I hope you enjoy working on the music I have chosen.

  Concerto for Four Alto Recorders – G.P. Telemann 

  Something Baroque to start with!

  In this charming work, all four parts are quite even in terms of number of notes and difficulty, although Alto 1 does have more high notes. The Concerto is great fun to play in ensemble – as are all works by Telemann.

  Initials	Telemann 1 & 2	Telemann 3	Telemann 4
  LF	A1	A4	A3
  RM	A2	A4	A4
  BC	A4	A3	A2
  GD	A1	A4	A3
  IF	A4	A2	A1
  AH	A4	A3	A2
  GD	A2	A1	A4
  CA	A3	A2	A1
  SD	A3	A1	A4

  Jazz Triptych for Recorder Quartet – Greg McKernon

  A change of mood and chance to get a more layback feel in the room, with two delightful works that will allow us to explore a slightly more chromatic and rhythmic repertoire.

  Initials	Jazz Triptych - The Things my Baby does to me	Jazz Triptych - Under the Moon, Under the Stars
  LF	S	A
  RM	A	S
  BC	A	A
  GD	A	T
  IF	T	A
  AH	T	T
  GD	B	B
  CA	S	T
  SD	B	S

  Lauda Anima mea Dominum – Orlandus Lassus (1532 – 1594) (My soul praise the Lord)

  Derelinquat impius viam suam – Teodoro Riccio (1540 – 1600) (Let the wicked forsake his way)

  We will complete our musical exploration with two Renaissance motets, concentrating on ways you can make a vocal piece come alive instrumentally.

  Initials	Lauda Anima mea Dominum SSATTB	Derelinquat impius viam suam SATTB
  LF	A - Altus	A
  RM	A - Altus	A - playing tenor 1part on Alto
  BC	S2 Sextus	A - playing tenor 1 part on Alto
  GD	T - Tenor	S
  IF	T - Tenor	T2
  AH	T – Quintus	T2
  GD	S1 - Cantus	B
  CA	T - Quintus	A
  SD	B - Bassus	A

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  Tutor: ALANA BLACKBURN
  

  Note - For Orpheus Music Publications (OMPs) you can either purchase the hardcopy (sent to you via the post) OR download the PDF version (with a discount but you print at home). 

  Lully, Jean-Baptiste Chaconne L’Amour Medecin Peacock Press: PAR410 Version 2 (lower part either F, C or contrabass recorder)

  Satie, Eric (arr. Maute) Ascolta Music Publishing: AMP485 All three movements

  Eccles, Lance Blue Neon & Nuclear Cloud Orpheus Music: OMP141 Both pieces

  Armidale
  Lully v.2	A	T	B	B	GB
  	GF	ML & SD	JR & JmD	LM & PB	AT
  Satie
  1 & 2	S	A	A	T	B
  	AT	PB & ML	JmD & LM	GF & JR	SD
  3	SS	S	A	T	B
  	Alana (no one marked as having SS)	ML & JR	GF & PB	SD & LM	JmD & AT

  Eccles	S	A	T	T	B
  Blue Neon	JmD & BL	ML & SD	AT & PB	LM	GF & JR
  	S	A	A	T	B
  Nuclear Cloud	ML	LM	AT & JmD	JR & GF & BL	PB & SD

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  Tutor: JOANNE ARNOTT
  

  Small ens: Taupo	Matthias Maute	Ricercar	MOECK M702	I have put some people on bass with the understanding that most people wanted to try bass at some point. IF you don't want try please choose another part.	MW, IS and CA  : Tr1 LG, GD and SH: Tr2 JH, GN and DC: Tr3  CS and DH: Bass
  Small ens: Taupo	Elisabeth Middleton	Indianinca	OMP166	Those with Sopranino parts – learn on treble.	Part 1 - D/Tr/Sop: SH, DC Part 2 – Tr/Tr2/D: JH, MW, DH, IS Part 3 - T1/T1/Tr: LG Part 4 - T2/T: GD, CA Part 5 - B: CS, GN

  Note - For Orpheus Music Publications (OMPs) you can either purchase the hardcopy (sent to you via the post) OR download the PDF version (with a discount but you print at home). 

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  Tutor: BRENDAN ODONNELL
  

  Note - For Orpheus Music Publications (OMPs) you can either purchase the hardcopy (sent to you via the post) OR download the PDF version (with a discount but you print at home). 

  Concerto in C BWV 595 – Bach arr. Van Goethem

  S: CH, JC

  A: YC, JM

  T: DG, WJ

  B: BO, CS

  Fuga in C BWV 545 – Bach arr. Van Goethem

  S: YC, CS

  A: CH, DG

  T: JM, BO

  B: JC, WJ

  The challenge of playing Bach is always to find the shape and beauty in what can seem like a barrage of notes. While you won’t hear the harmonies while practicing alone, focus on exploring the shapes of your line to find your own musical meaning. While written in 4/4 time, we should be trying to feel 2 in a bar in the concerto; in the fuga, aim for an expansive sense of 1 in a bar, though you may wish to count “1-and” in each bar until you are confident with the various tied rhythms.

  The Planets’ Feet – Lance Eccles

  D: BO, JM

  Tr: WJ, CS

  T1: JC

  T2: CH

  B: DG, YC

  The movements of this comical suite need to feel overdone and cliché: in “The Boots of Mars” we should hear the stomping of soldiers’ boots, the drums of war, and some delightfully over-the-top oompah rhythms; in “Mercury’s Joggers” we a jogging along to a light, quick jig – please don’t hold the dotted crotchets through! And in “Venus’ Silk Stockings” we are acting more as a romantic string quartet than recorders, complete with rising and falling “pizzicato” (read: short but gentle) quavers. I think this one will be a lot of fun!
  

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  Tutor: BEN THORN

  Note - For Orpheus Music Publications (OMPs) you can either purchase the hardcopy (sent to you via the post) OR download the PDF version (with a discount but you print at home).
  

  Part allocations:

  Bardi’s Dream mvt 1

  Tr1        JP, CB

  Tr2        IS, MT

  T1           JB

  T2          LC

  B            YH JE

  Bardi’s Dream mvt 2

  Tr1        JP, JB

  Tr2            IS, LC

  T1          YH

  T2          JE

  B            CB, MT

  Bardi’s Dream mvt 3

  Tr1        YH, JE

  Tr2        JP

  T1          IS MY

  T2          CB

  B            JB, LC

  Johnny Make a Wedding (Johnny)

  Tr           JP, IS, CB

  T            JB YH

  B            LC, CB, MT

  Johnny Make a Wedding (Pat)

  Tr           JP, IS, YH

  T            LC, CB

  B            JB, JE MT

  Johnny Make a Wedding (Charles)

  Tr           JP, JB, LC

  T            IS, JE, MT

  B            YH, CB

   
  

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  Tutor: Hannah Coleman

  Note - For Orpheus Music Publications (OMPs) you can either purchase the hardcopy (sent to you via the post) OR download the PDF version (with a discount but you print at home).

  Minter- Please prepare your allocated parts for this (somewhat challenging!) piece. Please focus on practising with a metronome, and counting rests carefully. It's okay if you can't play all the notes at speed when you arrive, please try to be familiar with the rhythms if possible.  
  
  

  Des 1 JM EM

  Des 2 PT JB

  Tr 1 FW

  Tr 2 FH, JE

  B MH WK

  Cabezon - Please prepare the allocated parts for the first tiento in this book.
  
  

  Sop FW WK

  Alt MH PT

  Ten FH EM

  Bass JB JM JE
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  Tutor: Kimberley Scrivan

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  Tutor: Alicia Crossley

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  Tutors: Anna Stegmann & Daniel Murphy