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During 2020 we shared some interviews with some composers who are published with Orpheus Music. We asked them how lockdown had affected their creative output, and how have they been creating music.
In this article, we look at how to write idiomatically for the recorder, including its ranges, dynamics, articulation, contemporary techniques and writing for the recorder in an ensemble.
A recorder player's guide to Trinity College London Recorder Syllabus.
Should I play descant/soprano or treble/alto? C or F Fingering? and other FAQ
Common FAQ including what are OMPs, where can you buy our publications and international distributors.