> >>>>Slow movements for recorders
Slow movements for recorders View larger

Slow movements for recorders

PAR105

New product

Peacock Press

Composer: Vivaldi - Antonio

Arranger: Andrew Robinson

Instrumentation: Treble (or Sopranino) + Keyboard

Period/Genre: Baroque

Grade: Difficult

More details

Out of stock

$19.00 tax incl.

Add to wishlist

You must be logged

More info

*16 Slow Movements* from Vivaldi's concertos and sonatas. Includes extensive introductory notes in English.

1. Concerto for Recorder, oboe, two violins and continuo RV87 _Largo_
2. Concerto for Recorder, oboe, violin, bassoon and continuo RV94 _Largo_
3. Concerto "Il Gardellino" for recorder, oboe, violin, bassoon and continuo RV90 _Largo - cantabile_
4. Concerto for flute, oboe, violin, bassoon and continuo RV99 _Largo_
5. Concerto for two solo violins, two oboes, two recorders, bassoon, string orchestra and continuo RV557 _Largo_
6. Cocnerto for flute, violin, bassoon and continuo RV100
7. Concerto for recorder, oboe and bassoon RV103 _Largo_
8. Concerto for recorder, oboe, violin, bassoon and continuo RV105 _Largo_
9. Concerto for vlute, violin, bassoon and continuo RV106 _Largo_
10. Concerto fro recorder, two violins and continuo RV108 _Largo_
11. Sonata for recorder, bassoon and continuo RV108 _Cantabile_
12. Concerto for recorder and strings RV442 _Largo e cantabile_
13. Concerto "Tempesto di Mare" for flute and strings RV433 _Largo_
14. Concerto for flautino and strings RV443 _Largo_
15. Cocnerto for flautino and strings RV444 _Largo_
16. Concerto for flautino and strings RV445 _Larghetto_

_ABRSM Treble Syllabus 2018-2021 Grade 3 List A, Grade 4 List A_

Antonio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and programmatic music. He consolidated the emerging concerto form, especially the solo concerto, into a widely accepted and followed idiom.

Score: 29 pages. 1 part@ 15 pages. 

30 other products in the same category: